For the principle shot, we organize the Reflex on a steady stand and my assistant held the light over her for directional delicate. I didn’t want flat, straight-on lighting, I wanted to create dimension with butterfly-style delicate. For this shot I offered the light very when it comes to Blair’s face, and because of the inverse-square legislation of light, the falloff was once as soon as very speedy, causing the background to transport super dark.
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